10 reasons to write a book in 2010

"Ten" is "net" backwards
“Ten” is “net” backwards
Ben Terrett, noisydecentgraphics.typepad.com
  1. You’ve always wanted to do it, and it’s time.
  2. You have something important to say to the world–or to some specific piece of the world. (In marketing terms, the more specific, the better.)
  3. You want people–clients, prospects, and others–to understand what’s special about what you do and the way you do it.
  4. You know a great deal about your subject, but it’s not organized in your head. Writing a book is an opportunity to lay it all out clearly.
  5. You want to establish yourself as an authority, so that you can charge more as a speaker, a consultant, a coach, a financial adviser, an architect, or almost anything.
  6. You feel inferior to people with PhDs, and you want to even the score a bit.
  7. You don’t like any of the books in your field, and you know you can write a better one.
  8. You know you can sell a bunch of them and make lots of money.
  9. You want to get more respect from your employer and in your profession
  10. You know that a book can be the key to monetizing your expertise, to creating additional products, such as ebooks, podcasts, courses, reports, and more.

Questions? Comments? Add them below, or write to me.

Write to different listening styles

I just listened to a recording of Alex Mandossian speaking about talking to people with different listening styles. Based on David Kolb’s theory of experiential learning, Alex suggests (in the context of his Teleseminar Secrets course) that you address, in your teleseminars, these 4 types of learner–people who ask:

  1. Why?
  2. What?
  3. How?
  4. What if?

In other words, first explain why do or learn whatever you’re speaking about; then, details about what it is; follow with words about how it works; and finally, consider contingencies, alternatives, “plan b,” etc.

In my BookProgram approach to writing books, I discuss the power of completing your structure before starting on your content. I’ve found that structuring is an obstacle to many authors, so I’ve been looking for ways to help authors create their structure. Alex’s interpretation of Kolb’s styles sounds like one approach that can be useful for authors, too. I’ll be trying it on my next book.

Let me know what you think about this approach: joel@joelorrcoaching.com

Why to write a book even if you don’t care about having a book

There are really two separate sets of reasons for writing a book. One set has to do with having a book:

  • As a product to sell or give away
  • To credentialize you to your clients and prospects
  • As a kind of brochure or business card that is relatively inexpensive and won’t get thrown away

The other has to do with the fruits of the book-writing process, whether or not an actual book results from it:

  • In the first stages of creating your book, you are forced to structure your expertise. You know a lot, but it may not be well-organized. When you create the structure of your book (in Joel’s BookProgram, structure must precede content), you find out what all the big pieces and the little pieces are, and how they fit together. You may learn that you have several discrete areas of expertise, that can become sources of products and services you never thought of.
  • The chapters of your book can become separate products–ebooks; reports; courses; and so on. You can read them, or have them read, and record the reading. You can append them to video recordings.
  • You can create a course around the whole book, with text, video, and audio. Use a service like Prfessor.com ($50/month) or build around a WordPress installation using the Wishlist Member plug-in ($97 for the plug-in).

So–consider writing a book, even if you don’t care about having a book.

Questions? Write me.

Happy Holidays from Tech Support

Produce a book of interviews to promote your expertise

Gary Olson, Radio Dubuque

Microphone: Gary Olson, Radio Dubuque

One way to become known as an expert in your field is to interview other experts and publish the transcripts. Benefits:

  • You are known by the company you keep. By merely appearing in print with known experts, you cause your name to be associated with theirs.
  • When you publish information from several experts, that positions you as a kind of “meta-expert”–someone who, in a sense, stands above the experts and brokers their information to the reader.
  • Regardless of how expert you are in the field when you begin your interviews, you will learn a great deal from the experts in the course of interviewing them–especially if you prepare for each interview. Research each expert and determine what most people would want to know from them.

Access to experts may seem like an issue, but in general, it is not. Most experts appreciate any additional exposure they can get. Many will ask for you to include a link to their website, and you should be happy to provide it.

If the expert wants to promote a particular product to the readers of the interview, consider signing up as an affiliate for the product. That way, if your readers buy the product, you will get a commission. (Of course, if you do this, it is important not to mislead readers by claiming, say, that your comments on the interviewee and their product are disinterested.)

When you contact your interview candidates, it is best to reach them through mutual acquaintances. Conferences and industry events may present opportunities to both meet experts and actually interview them. If they don’t have time to be interviewed, at least you will be able to make a personal impression on them and find out how to schedule time for an interview.

Have your pitch written out clearly, and have a copy you can hand directly to the interview candidate. You can use the same text when you email experts.

In the pitch, your focus should be on the benefit to them. You should also say if they will be able to review the transcript before it is published. Of course, you’ll get more agreement if you do allow for review and approval.

If possible, buy the expert’s book or other product before approaching them.

You should promise a free copy of the book to all participants, and special pricing for quantity purchases.

Interview length will depend on how large a volume you intend to produce; how many experts you plan to interview; and the prominence you want to give to any particular expert.

Get a good-quality digital recorder; they are available for under $100. You can use a smart phone with recording capabilities, but test it first; phones do not usually have the best microphones.

If you are interviewing on the phone, you can use FreeConferenceCall.com or other services that record the call. When I do this, I use a good-quality speaker-phone, and also make my own digital recording locally, as back-up. (Court reporters use duplicate recording systems in depositions, with good reason. Technology can fail.)

When you design your book, don’t forget the “diamond.” Have a clear question that the book will answer for the reader, and make sure you keep that promise.

Questions? joel@joeltrainsauthors.com

Size matters


Skinny books can be more effective
Joel Orr

If you are writing a book, or thinking of writing one, you are probably at least somewhat aware of average book sizes in your field. In non-fiction, 220 pages is a common size.

But if your goal is for your book to be your “large business card,” your “credentializer,” or to replace your color brochure, it can be much smaller. In fact, it probably should be much smaller.

Excuse me if this sounds brutal, but most people who receive or buy your book won’t read it. They may scan it; they may start to read it; or they might not even crack it open.

Now, that sounds like very bad news, but it isn’t. The book itself establishes your authority, serves as your credential, and will probably not get thrown out. It will hang around, read or unread, and remind the owner of you. That’s much more than any brochure will do.

However, if you have important information to share with people–say, about the uniqueness of your approach to your profession, or simple things the reader can do to alleviate some pain, and so on–put it in a small book. 64 – 128 pages are plenty.

And although some might accuse you of “padding” if you use large type and lots of white space, your older readers will be grateful.

Copyblogger on paragraphs

I love Copyblogger! Here’s some more great stuff:

image of a paragraph symbol

Anyone can write a paragraph, but not everyone knows how to write one that other people want to read.

You’ve seen it:

You open a book, and the whole page is one long block of text.

Each sentence in the paragraph makes exactly the same point, said in a slightly different way, and you wonder why they didn’t just say it once and be done with it.

Click to continue…

Joel’s new book: “FastPencil Your Book in 30 Days or Less!”

If you’ve been following what I’ve been blogging about FastPencil.com, you’re going to want to get a copy of my new book, FastPencil Your Book In 30 Days or Less! It takes you step-by-step through my trademark BookProgram process, within the context of FastPencil.com. And of course, I wrote it in FastPencil.com!

Randy Ingermanson’s “Snowflake” software for fiction 80% off until Friday midnight

I don’t write fiction (at least, not intentionally). But if I did, I would use Randy Ingermanson’s Snowflake Method. It’s like a fractally refined version of Joel’s BookProgram. Randy, besides being an accomplished author, is a physicist/programmer. And he has written software to make it as easy as possible to apply his method to writing. (“Easy as possible” does not mean “easy.” Writing fiction is not easy. “If you want easy, buy cotton candy,” says Randy.) Anyway, until Friday at midnight PST, the software (which runs on Mac, PC, Linux) is $20. If the thought of writing fiction has ever crossed your mind, you owe it to yourself to buy this. Go here.

Why NOT to write a book: 7 reasons

It just occurred to me: I’ve been telling people why they should write a book for a long time, and showing them how easy and quick it can be. I never thought about the flip side before.

So here are 7 reasons NOT to write a book:

  1. You have no urge or desire to communicate with lots of people, no advice or news you want to share with others. Good for you! Nowhere is it written that you must tell others what you know, or that you have to have a message for the world.
  2. Your career is just where you want it to be. You see your work life as being on track, and you are happy and fulfilled. You don’t need or want to establish yourself as an authority, or to convey to clients and others what makes you different. The Talmud says, “Who is rich? He who is content with his lot.”
  3. You are about doing, not writing. You are engaged with life; narrating the journey does not attract you.
  4. You have something to say, but you don’t want to build a business or a career around it. A blog suits you better, serving your needs without overwhelming you.
  5. You’re a private person and don’t want the attention.
  6. The thought of putting your ideas in a form that can be criticized by everyone nauseates you.
  7. The idea of “leaving a legacy” for family, friends, or others is of no interest; you’d rather leave acts of kindness, memories, or money.

Can you think of others? Write to me: joel@joeltrainsauthors.com