After the book

Read this from Bob Stein, of the Institute for the Future of the Book:

the future of the appPost date 08.02.2010, 10:37 AM

posted by bob stein

Assuming that whatever replaces the book in the futurist landscape to come will not be called “a book,” people often ask me why I named our group The Institute for the Future of the Book. My answer has consistently been a variant of the following: while it’s true that whatever replaces the book as a crucial mechanism for moving ideas around time and space is not likely to be called “a book,” since we don’t have that word yet, “book” works better than “institute for the future of discourse” or “institute for thinking about what comes after the book.” I end my answer by suggesting that one day we’ll realize that a word describing a new-fangled object, or perhaps a word referring to a range of behaviors has come to signify the dominant media form which has in fact supplanted the book.

I’ve always assumed that day would be years or even decades off. But recently, while listening to the Flux Quartet play Morton Feldman’s First Quartet on a gently swaying barge in the east river, i suddenly recognized our first candidate — “app.” It’s not the pretty or expressive word I was hoping for, but it feels right.

The aha moment went like this . . . . while zoning in and out of the Feldman piece I started to think about the iPad that I’d been using for the past six weeks — not only for most of my reading, but for playing expressive games like my current favorite, SoundDrop, answering email, surfing the web, watching videos, and listening to music. The iPad has become the center of my media universe, much more than my computer, iPod, or iPhone have ever been. My text used to come in an object we called a book; movies came on tapes, laserdisc, and DVDs, music on records and CDs and games on cartridges and CDs. Now they are all appearing as apps of one sort or another on my iPad.

The distinction between media types was a lot more important during the analog era of the mid-twentieth cenury. In 1950 no one would confuse a novel with a movie or a song with a TV show. But today we have e-books with video sequences, and movies published with extensive text-based supplements. Is Lady Gaga a music star or video star? More

What do you think? And if you’re in the neighborhood on September 13, come to my Meetup here in Mountain View, CA, to discuss it.

A book-writing tip from Clippy

Well, it’s not really from Clippy, the hated Microsoft “helper” that came with Office and was finally buried in 2007. Clippy is mentioned in this fascinating article in the Wall Street Journal by Stanford professor Clifford Nass:

[W3 illo]Alex Nabaum

By CLIFFORD NASS

When BMW introduced one of the most sophisticated navigation and telematics systems into its 5 Series car in Germany a decade ago, it represented the pinnacle of German engineering excellence, with great advances in accuracy and functionality. Yet BMW was forced to recall the product—because the system had a female voice. The service desk had received numerous calls from agitated German men who had the same basic complaint. They couldn’t trust a woman to give them directions. More

Go ahead, read the article. Then come back here.

What speaks to me in this piece is the significance of rapport, and the ease with which it can be created and broken–even with semi-animate objects. It makes me think: What about my book is generating rapport with my reader? What’s breaking rapport?

I’m using “rapport” in the sense that it is used in NLP–neurolingistic programming. Here’s one definition:

Rapport is the quality of harmony, recognition and mutual acceptance that exists between people when they are at ease with one another and where communication is occurring easily.

Why use this?

In general, we gravitate towards people that we consider similar to us, because people like people who are like themselves – like likes like. In rapport the common ground or similarities are emphasised and the differences are minimised.

Rapport is an essential basis for successful communication – if there is no rapport there is no (real) communication!

I’ve not seen writing teachers address rapport categorically. Maybe it’s time we do. What do you think?

If this is what happens to your brain when you think about a book, get a coach

To write a book, adopt GTD

David Allen’s Getting Things Done approach to time and task management is simply unequaled. It is simple, understandable, and do-able. If you are trying to fit your book-writing into your schedule, you owe it to yourself to check him out. Lots of free resources, too. Here’s a piece from his latest email:

Getting Things Done
Image via Wikipedia

LET THE LISTS FALL WHERE THEY MAY

Probably the most universal how-to question for GTD neophytes is this: How do I keep track of all the things that you’re recommending I keep out of my head? What’s the best tool? The answer is pretty simple: however you most effectively can create and review lists.

You will need a good filing system, an inbox and a ubiquitous capture tool, a box for stuff to read, and maybe a tickler file; but for the most part, all you need are lists. But you’ll need several. And they need to be complete. And you’ll need a place to keep them.

For many newbies, the multiple lists they may see in any of our systems can overwhelm them at first glance. More

Enhanced by Zemanta

Useful interviewing tools

Non-fiction authors often need to interview people. Of course you should record the interview, and electronic recorders are so inexpensive that they are commodities. Besides, most smart phones will record full interviews and let them be downloaded to your computer, where you can play them back.

Microsoft Office OneNote Icon
Image via Wikipedia

What used to frustrate me was finding my way around long recordings. An hour or two of talking takes a long time to skim.

One of the few applications I regretted giving up in my last PC-to-Mac transition, about four years ago, was Microsoft OneNote. And my very favorite thing about OneNote was this: You can tell it to record audio while you take notes. Then, the audio is indexed by your notes.

So you can go back to your notes and click anywhere, and OneNote will play the portion of the audio that was being spoken at the moment you made that note. Very, very, very powerful.

Circus Ponies’ Notebook on the Mac did this, but it also crashed, lost stuff, and corrupted several months worth of notes irretrievable. I don’t trust that product, even though that miserable experience was three years ago.

I just discovered Pear Note from Useful Fruit software, a wonderful audio- and video-note taking app that focuses on this issue. It is beautifully designed and works. I haven’t been using it long enough to remark on its robustness, but it feels very good to me.

Another useful tool–at least for shorter interviews–is the LiveScribe Echo. It’s a pen with a built-in recorder. You take notes on special paper. The pen records (excellent quality) what’s being said, and also captures your writing or drawing. Dock the pen with your PC or Mac, and both the audio and the writing/drawing are now accessible.

Touch the pen to your writing, and it plays back what was being said at the time of that particular piece of writing. That also works on the computer, without the pen.

Image representing Livescribe  as depicted in ...

Image via CrunchBase

The recording is optionally binaural. When you record binaurally in a noisy environment, you can pull every softly spoke word out of the background with ease (when you also listen binaurally, of course).

My only complain about the pen: Battery life. I never get more than just over two hours. I’d carry a second pen for long meetings, but the syncing scheme makes that complicated.

EDIT: Just learned that Word 2004 and 2008 on the Mac, in “Notebook” mode, also do this!

Enhanced by Zemanta

Turn card over

My father was born in Ostrolenko, Poland. That fact authorizes me to tell Polish jokes.

How do you keep a Polack busy? (“Polack” means simply “Polish man.” There is nothing derogatory about the word.)

Give him a card that has printed, on both sides, “Turn card over.”

I am that Polack.

My geekishness is often expressed as a fascination with things that are of absolutely no interest to most of the population–especially things that exhibit a measure of complexity. I am attracted to complexity, per se. I love its richness; I have a feeling that, just around the corner, I will find the answer to some important question.

Usually I don’t.

But that doesn’t deter me; complexity continues to fascinate me.

Here’s one way it manifests: I love to explore programs that claim to manage your information and show it to you in different ways. Here are a few examples:

  • Personal Brain, from TheBrain.com. I actually use this as my diary, journal, and general repository of knowledge.
  • Evernote, from Evernote.com. I use this, too; it syncs with my iPhone, and lets me capture and store a huge variety of text, graphics, and more. And it attempts to read any text in the graphics; so if I snap a picture of a business card with my iPhone, Evernote will OCR (optical character recognition) the text, so that I can find the name of the person using its powerful search facility.
  • Voodoopad. A wiki on your (Mac) desktop. Amazingly powerful and simple. I haven’t integrated it into my workflow, but hope springs eternal.
  • Tinderbox. The ultimate time sink. (Mac only.) Incredibly robust and powerful outliner, graphical mapper, database, and so much more.

I am forever searching for the system that will allow me to store anything, link anything to anything else, extract email addresses for mailing, keep track of people and events, web clippings, etc. You get the idea.

Each tool excels at some things, and sucks (I hate the word, but cannot resist it any longer) at others.

And when I downloaded the latest version of VoodooPad today, I realized: Turn card over. I’m doing it again.

I haven’t found a 12-step program for people who are determined to find The One System yet, but if it doesn’t show up soon, I’ll have to start one.

Ask me how this relates to writing books.

Randy Ingermanson on the future of publishing

I love Randy’s writing. He is my favorite writing teacher for fiction. He invented something he called, “The Snowflake MethodRandy Ingermanson,” and even has software to back it up. It matches my structured approach to non-fiction.

I found his recent thoughts on the future of publishing on his blog. I agree with all of them, and many pertain to non-fiction as well as to fiction. Here’s a teaser and a link:

The Future of Publishing

The world of publishing is currently going through massive turmoil. Some people believe that the rise of e-books is going to be the biggest single change in publishing since Gutenberg’s invention of movable type.

I’m not a prophet nor a seer nor clairvoyant. But I do have my eyes open, and in this column, I give you my best predictions for the coming years. They may be right. They may be wrong. Either way, one thing seems certain: Huge changes are coming.

I offer these predictions to suggest ways you might plan for your future. I’m using them to plan for mine.

Prediction #1: E-books Will Surpass P-books Soon

I define a “p-book” to be a book printed on paper. Click here for more

Presented at SF Coach meeting last night

I spoke to the San Francisco Coach Federation monthly meeting last night, at the beautiful Handlery Hotel on Geary in San Francisco. It was a well-organized meeting, and well-attended–I think there were more than 25 in the room. I shared how I came up with my BookProgram method for writing good books quickly.

SF Coach

SF Coach meeting at Handlery in SF

There were lots of excellent questions. People seemed to “get” the idea that structure must precede content, and that content is actually the easy part of writing a book. I spoke about “the diamond is your friend,” mangling a baseball metaphor, but to good effect.

Several people said they’d like to talk about their book with me, so I sent them–and I send you–to http://joelorr.setster.com to make an appointment with me for a free strategy call. (By the way, if you’re tired of having to exchange 4 emails in order to set a phone appointment, I recommend checking Setster.com out. It publishes your calendar, sync’d from Outlook, Gmail, or whatever, showing just blocked periods for your appointments. People can choose from your available slots; you get an email and a text message, and can approve or deny the appointment.)

If you’d like to hear what I said, just click here, fill in the form, and I’ll give you immediate access to the recording. (Click on “continue shopping” after the cart thanks you, and you’ll go directly to the page with the recording.)

Would you like me to speak to your group? Click here to make an appointment to discuss it with me.

Displacement activities

I was reading about efficiency, about getting things done, when I came across the concept of a “displacement” activity, which was defined as something we do from some internal need for variation or incubation. I liked the term, “displacement”; it carries no hint of accusation or guilt induction. I think that many like me are sometimes drawn to activities that are not clearly “on task” and feel like we are being self-indulgent.

(I am distressed that I did not make a note of the source of the term; I’ve made a point of putting everything I want to recall from the Web into Evernote, because it’s so easy to do. Another demonstration of human imperfection….)

Some of my displacement activities are related to work–reading book-writing related blogs and technology blogs, for example. Others are less clear–downloading pictures from my camera and organizing them. Some are an obvious expression of my need for a break–reading books, for one.

When I feel that my use of time is out of control, I start to track my time, noting exactly what I’m doing all day. The simple recording of times–when I do stuff, when I switch to other stuff–helps me be more aware. Here’s a piece of a fascinating NYT article on the subject:

Humans make errors. We make errors of fact and errors of judgment. We have blind spots in our field of vision and gaps in our stream of attention. Sometimes we can’t even answer the simplest questions. Where was I last week at this time? How long have I had this pain in my knee? How much money do I typically spend in a day? These weaknesses put us at a disadvantage. We make decisions with partial information. We are forced to steer by guesswork. We go with our gut.

That is, some of us do. Others use data. A timer running on Robin Barooah’s computer tells him that he has been living in the United States for 8 years, 2 months and 10 days. At various times in his life, Barooah — a 38-year-old self-employed software designer from England who now lives in Oakland, Calif. — has also made careful records of his work, his sleep and his diet.
A few months ago, Barooah began to wean himself from coffee. His method was precise. He made a large cup of coffee and removed 20 milliliters weekly. This went on for more than four months, until barely a sip remained in the cup. He drank it and called himself cured. Unlike his previous attempts to quit, this time there were no headaches, no extreme cravings. Still, he was tempted, and on Oct. 12 last year, while distracted at his desk, he told himself that he could probably concentrate better if he had a cup. Coffee may have been bad for his health, he thought, but perhaps it was good for his concentration.
Barooah wasn’t about to try to answer a question like this with guesswork. He had a good data set that showed how many minutes he spent each day in focused work. With this, he could do an objective analysis. Barooah made a chart with dates on the bottom and his work time along the side. Running down the middle was a big black line labeled “Stopped drinking coffee.” On the left side of the line, low spikes and narrow columns. On the right side, high spikes and thick columns. The data had delivered their verdict, and coffee lost.
He was sad but also thrilled. Instead of a stimulating cup of coffee, he got a bracing dose of truth. “People have such very poor sense of time,” Barooah says, and without good time calibration, it is much harder to see the consequences of your actions. If you want to replace the vagaries of intuition with something more reliable, you first need to gather data. Once you know the facts, you can live by them.
Your thoughts?

Accountability

Most people are responsible. They make commitments and keep them, even when it is not convenient or pleasant to do so. We often say that someone who does that “has character.”

“Character is doing the right thing even when nobody is looking,” said JC Watts.

What has this to do with writing your book? Well, many ostensibly aspiring authors say that they want to write a book. They say they want to get it done by some date or some event. They even say they’ve committed to doing it.

But then they don’t.

The problem with allowing yourself to break commitments, especially commitments to yourself, is that it gets easier, the more you do it. Eventually you allow yourself to break commitments to others. As the cliche says, it’s a slippery slope.

You’d be much better off not to make a commitment, then to make one and ignore it. I’m focusing on book-writing, but this holds for everything in life.

One thing you can do to help you stick to commitments you make to yourself: Make them public. Let everyone know that your outline is going to be done by a certain date. That your book will be ready for editing by a certain date. And so on.

Another thing you can do: Work with a coach. A coach is a perfect accountability partner. The fact that you are paying them will help you keep your commitment, because you don’t want to have wasted your investment in the coaching.

If you are already working with a coach, your book belongs on the list of goals that the coach helps you prioritize. If you’re not working with a coach, and feel stuck in your business or your life, find one; just use your search engine and enter “coach” plus your area of interest.

If you want to focus on your book, get a book coach. (I’m a book coach; click here to set up a free strategy call with me.)