Seth Godin: The single biggest change in book publishing

Seth Godin is amazing, and you should follow his Domino Project. In this brief article, he summarizes a key point about publishing books that is overlooked by most authors and many publishers. Go there and read the whole thing.

The single biggest change in book publishing is this:

The industry was built around finding readers for its writers.
And new technologies and business models now mean that the most successful publishers and authors find writers for their readers instead.

Go here to read the whole short piece.

 

Can this new publishing model work?

Unglue.it is not even in beta yet, but it is raising a lot of eyebrows: Can you use a pledge campaign to raise money to induce a copyright owner to put their publication into the public domain? The owner gives up future royalties in exchange for a one-time payment, raised from a crowd of interested people in small amounts. (Compare Kickstarter.com)  It’s an intriguing thought, and I will be very interested to see if it flies. Here’s a brief video in which Unglue.it founder Eric Hellman is interviewed by my friend David Weinberger.

Rejection

Although this is a problem faced far more often by fiction writers than by us toilers in the vineyard of non-fiction, it is an emotional issue for all. Brian Doyle has a piece in the Kenyon Review, “No,” about rejection. It is delicious. A tiny excerpt:

One of the very best: a rejection note sent by the writer Stefan Merken to an editor who had rejected one of his short stories. “Please forgive me for not accepting your rejection letter,” wrote Merken. “At this time I cannot accept a rejection of my short story. I accept more than 99 percent of the rejections I receive. Many I don’t agree with, but I realize that accepting a piece of fiction for publication is a very subjective judgment call. My acceptance of your rejection letter is also a subjective process and therefore I am returning your letter to you. I did read your letter. I read every letter I receive. Your letter was well-written, but due to time constraints from my own writing schedule, I am unable to make editorial comments. I do make mistakes. Don’t you, as an editor, be disheartened by this role reversal. The road of publishing is long and tedious. You need successful publications and I need for successful publications to print my stories. I will expect to see my story in your next publication. Good luck in the future.”

After the book

Read this from Bob Stein, of the Institute for the Future of the Book:

the future of the appPost date 08.02.2010, 10:37 AM

posted by bob stein

Assuming that whatever replaces the book in the futurist landscape to come will not be called “a book,” people often ask me why I named our group The Institute for the Future of the Book. My answer has consistently been a variant of the following: while it’s true that whatever replaces the book as a crucial mechanism for moving ideas around time and space is not likely to be called “a book,” since we don’t have that word yet, “book” works better than “institute for the future of discourse” or “institute for thinking about what comes after the book.” I end my answer by suggesting that one day we’ll realize that a word describing a new-fangled object, or perhaps a word referring to a range of behaviors has come to signify the dominant media form which has in fact supplanted the book.

I’ve always assumed that day would be years or even decades off. But recently, while listening to the Flux Quartet play Morton Feldman’s First Quartet on a gently swaying barge in the east river, i suddenly recognized our first candidate — “app.” It’s not the pretty or expressive word I was hoping for, but it feels right.

The aha moment went like this . . . . while zoning in and out of the Feldman piece I started to think about the iPad that I’d been using for the past six weeks — not only for most of my reading, but for playing expressive games like my current favorite, SoundDrop, answering email, surfing the web, watching videos, and listening to music. The iPad has become the center of my media universe, much more than my computer, iPod, or iPhone have ever been. My text used to come in an object we called a book; movies came on tapes, laserdisc, and DVDs, music on records and CDs and games on cartridges and CDs. Now they are all appearing as apps of one sort or another on my iPad.

The distinction between media types was a lot more important during the analog era of the mid-twentieth cenury. In 1950 no one would confuse a novel with a movie or a song with a TV show. But today we have e-books with video sequences, and movies published with extensive text-based supplements. Is Lady Gaga a music star or video star? More

What do you think? And if you’re in the neighborhood on September 13, come to my Meetup here in Mountain View, CA, to discuss it.

Self-publishing and POD (publish on demand)

My buddy Bill Quain and I are doing a podcast series on behalf of FastPencil.com. It’s called FastPencil Pointers, and you can get it on iTunes or here. As we were preparing next week’s issue, I realized that many people do not know what self-publishing and publish-on-demand are.

Definitions:

Self-publishing: The publishing of a book or books where the author is also the publisher.

Publish-on-demand: The use of print-on-demand equipment to produce books in as small a quantity as one.

Thanks to the Internet and modern printing and binding technologies, it is possible for an author to publish his or her own book without having to invest heavily in large quantities of printed copies and the attendant logistics.

A self-publisher can use a publish-on-demand company for producing the book, or simply have it printed by a traditional book printer.

POD companies often offer additional services to the author, such as ISBN codes; cover design; connection to distributors, like Ingram (who supply bookstores, like Barnes & Noble, Borders, etc.); editing; and more.

The initial POD vendors were not always transparent about the specifics of their service offerings, and sometimes left customers unsatisfied with the value of the “packages” they had bought. Today, competition has forced these firms to be more open about precisely what they do and do not provide. It’s easier for an author to make comparisons than ever before.

I recommend self-publishing to all my authors. If you publish your book yourself, and sell a few thousand copies–and then pitch a major publisher–you will be in a FAR better position to bargain for royalty rates, promotional budgets, intellectual property rights, and more. But frankly, at that point you may ask yourself whether the imprimatur of the major publisher is worth what you may have to give up.

As an author, you will make out better financially if you get a cover designed; get your book printed; and control your own promotion. Now, you may not have the time or the inclination to do those things, and there are plenty of people who will gladly undertake to do them for you; but whichever way you go, you should study the process so that you will understand what you are buying.

FastPencil gets some ink

It was a good day at FastPencil.com. My friends at this Campbell, CA startup were featured on VentureBeat and in the Wall Street Journal.

Meanwhile, the new FastPencil Pointers podcast site–that’s with me and my buddy Bill Quain–is up, and the podcast is also available in iTunes.

All of which probably means it’s time for you to take a look at FastPencil.com and see what it has to offer authors and publishers. Good stuff.

“Perfect Pages”–a guide to producing books with Microsoft Word

Perfect Pages by Aaron Shepard is an indispensable aid to someone who wants to produce a fully formatted book manuscript in Microsoft Word. Get it for about $12.60 at Amazon.com and read its 150+ pages, and you will save yourself a lot of grief.

Microsoft Word 2010 Icon
Image via Wikipedia
Word Mac 2008 icon
Image via Wikipedia

Now you may think, “I’ve used Word forever. I don’t need additional tips.” You may be right, but I doubt it. Book formatting requires different

things than article or report formatting.

Word is a powerful program, and it can also be maddeningly cranky. This book helps you avoid the cranky parts.

The few pages on styles are so lucid that you will get your money’s worth from the book if you just absorb them. Styles are the blessing and the bane of Word, and the five pages Shepard devotes to them are spot on.

Partial contents:

  • Managing Word–Options; preferences; workspace; features; safety; memory
  • Formatting your document
  • Typesetting your text
  • Formatting your text
  • Perfecting your text
  • Handling special text
  • Handling graphics
  • Enhancing your layout
  • Preparing for print
  • Creating a cover
  • Resources–a good long list of websites

This book will save you time and energy if you write in Word. Highly recommended.

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